The Los Angeles Times
By Kenneth Turan
The compelling Difret is a small film with a lot on its mind. Authentic and affecting, this drama about fighting against the Ethiopian tradition of abducting young girls into marriage is potent enough to be that countrys official Academy Award submission and gain the support of Angelina Jolie as an executive producer.
Director Zeresenay Berhane Mehari, who also wrote the films Amharic-language script, is a graduate of USCs film school, and the strength of Difret is in that particular combination of classic storytelling and cultural specificity.
Based on an actual incendiary legal case that was a sensation in Ethiopia a decade ago, Difret not only deals with an abhorrent practice that is still going on, it provides a dramatic yet nuanced window into a culture we almost never see.
For as Mehari said in an interview at the Sundance Film Festival, where the film won the World Cinema Audience Award for drama, Difret (the word means to dare but can also refer to rape) is a work without specific evil-doers. If there is a villain in my film, he said, its not a person, its the tradition.
This ability to encapsulate multiple viewpoints is critical for presenting the different strata of a country of multiple divides, not only between the traditions of rural life and the mores of the modern metropolis of Addis Ababa but also the differing attitudes toward women and justice that exist even among the countrys educated elite.